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All vehicles are ways of seeing. Every vehicle, through the way it exists in relationship to the bodies whose existence it extends, powerfully acts on their user’s worlds. They make some worlds accessible and others inaccessible, and enable the noticing of certain things while hiding others, thereby becoming a texture or aesthetic of experience.
What gaze does a sailboat allow us to cast upon different worlds? This is a question I am only just starting to explore by sailing in dinghies on the river Thames. When in the dinghy, I see buildings through experiencing how they act on the the wind. Being in the presence of other entities on the river - The dinghy folds and twists its sail to maneuvre through the steady stream of fossil pushed crafts.
Over time I have developed up a practice of collecting seemingly useless yet somehow inciting objects.
Most commonly objects are found which, by others, have been labelled as trash.
These objects are then used when some spatial or physical need arises.
Trying to achieve some aim, perhaps making some kind of container or hanging some object at a certain angle, the collection of inciting objects becomes pieces of a puzzle. What combination and arrangement of objects will respond well to the challenge faced?
Sometime back I had to create a vertical monitor stand. One combination of inciting objects which solved the puzzle was a combination of some clothe-hangers, a vacuum head, and a candleholder: